Margaret Laurence: the Making of a Writer
is published by the Dundurn Group and distributed by the University of Toronto Press


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© 2005 Donez Xiques

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By Donez Xiques


Margaret Laurence: the Making of a Writer breaks new ground by offering a portrait of the younger Margaret Laurence, one that is unfamiliar to most of her readers. It dispels the myth that success came early and easily to Laurence. Because this biography unfolds as much as possible from the perspective of Margaret Laurence, rather than looking back after she had become famous, it enables readers to follow more closely in Laurence’s own footsteps. Xiques offers a much richer picture of Laurence’s apprenticeship than has been previously available and shows that the path to Laurence’s later success began with uncertain steps and many false starts.

Xiques discovered new material in the files of Laurence’s literary agent, and of her British publisher. All of the factual information in Margaret Laurence: the Making of a Writer is based on research, on evidence found in contemporary accounts, newspapers, diaries, high school and college publications, personal interviews, and hundreds of letters.
Xiques did not use details from Margaret Laurence’s fiction in constructing this account of Laurence’s early literary career or her life.
 


Neepawa, County Court House

Margaret Laurence: the Making of a Writer points out the significance of young Laurence’s work as a journalist, and the impact of her seven year sojourn in Africa, where she lived with her husband, a civil engineer. In the Horn of Africa, living among Muslims, Margaret Laurence began to read the Koran and to study Somali culture. Her fascination with their oral literature led to her first book, a translation of Somali tales and poems. Later in the Gold Coast (now Ghana), Margaret Laurence continued to work on a novel and a number of short stories. The professional and personal challenges of adapting to life in West Africa and of trying to hone her literary gifts are vividly described here.

Finally, this biography offers important information about Laurence’s subsequent years in Vancouver, where she finally achieved some notice as a professional writer. The book concludes with the publication of The Stone Angel (1964), the novel that brought first brought widespread critical acclaim to Margaret Laurence.

Margaret Laurence: the Making of a Writer contains an excellent index and extensive endnotes that will enhance its usefulness to scholars.